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Things you can do with Zoom and never realised

We’re often asked how our Zoom and Teams meetings and training sessions here at ACM are funkier than most. So here’s the answer! Our chief geek (and media and communication coach) Richard Uridge runs through the kit we’ve put together to make our online courses visually stimulating.


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The #Gatwick #drone part 2 – what the policeman should have said

Hindsight is a wonderful thing. And yes, it’s easy to be wise after the event. But in my previous post on the Gatwick drone incident I promised I’d suggest an alternative – and hopefully better – response to the one that prompted lurid headlines and landed Detective Chief Superintendent Jason Tingley in hot water with his Chief Constable and the Government.

The BBC News presenter asked him, you may remember, what turned out to be a trick question: “Are you even considering the possibility that there may not have been genuine drone sightings in the first place?”

By answering it the way he did – conceding the point – Det Ch Supt Tingley set a proverbial hare running which proved hard to stop. Denying the journalist’s contention outright wouldn’t have been advisable either because (mixing metaphors hopelessly) he’d have boxed himself into a corner if it turned out there wasn’t, in fact, a drone. My version doesn’t ignore the question but lets the facts speak for themselves and, in turn, allows the audience to draw its own conclusions.

Police officer:  “We’re investigating more than a hundred sightings – not just from members of the public but from police officers and airport staff too. Some of those sightings may, of course, be duplicates (several different people reporting the same thing). Some may be genuine mistakes (people seeing what they think is a drone but which turns out to have been something else – a bird of prey for example). Some could be made up for malicious reasons. But all that said we have to act on the information given.

“Aviation is, quite rightly, a risk-averse industry. A collision between an aircraft and a drone could be calamitous. So we have a duty to do all we can to keep people safe. We exercise what we call the precautionary principle – better safe than sorry in other words. Now I understand that the impact of all this is huge and I’d like to add my apologies to those of the airport and airlines for the disruption caused. I’d also like to thank the public for their continued patience and understanding. I’d like to pay tribute to my police colleagues, airport and airline staff, the Civil Aviation Authority and now the Army for their hard work in getting Gatwick back to normal as soon as it’s safe to do so. And I’d like to reiterate my determination to bring those responsible to justice. Let me be absolutely clear. We are investigating a crime.”

Compare this to what Det Ch Supt Tingley actually said.

Now I fully accept I had several hours to carefully consider my response compared to the detective who almost certainly only had several minutes and was also shouldering heavy responsibilities as the SIO (senior investigating officer). That said the purpose of media and crisis communications training it to have the benefit of foresight. Foresight, of course, is not as good and never as accurate as hindsight but it’s certainly better than being blind-sided. Plan for the worst, hope for the best and be flexible.

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#O2down – 11 crisis comms lessons from the mobile company’s data outage

I was one of the estimated 32 million customers affected by O2’s data outage. And like many of those customers I took to Twitter under the hash tag #O2down. But in my case not to criticise the company. No, I wanted to thank O2 for providing me with a crisis communications case study. There’s a lot, I believe, other organisations  can learn from its approach – whatever sector they’re in: high tech, low tech; for profit, not-for-profit.

  1. Acknowledge there’s a problem as soon as it’s evident there is a problem. These days there’s nowhere to hide – especially for data companies like O2 whose very business model is information exchange.
  2. Monitor social media. For bigger organisations at least, keeping an eye on social is a great way of staying as close to the proverbial curve as possible (despite what others may tell you keeping ahead of it is nigh on impossible in crisis comms).  In our always-on world (or nearly  always on in O2’s case) the initial indication of trouble often comes from customers rather than from colleagues.
  3. Apologise. Saying sorry costs nothing. Not saying sorry costs a whole heap more in the long run. Saying sorry isn’t an admission of guilt. It’s a strength, not a weakness. And, contrary to popular belief, it won’t make a scrap of difference if or when it comes to litigation. In fact, damages are likely to be lower as a consequence of an early apology. 
  4. Don’t blame. Nobody likes a snitch so blaming somebody else for your travails will only exacerbate the problem. In O2’s case it looks as if the problem was with expired software licences at one of its suppliers, Ericsson. So it might have been tempting for the company to say, in effect, “not our fault guv.” But I heard nobody from O2 say anything of the sort. That said O2 didn’t hide the fact that Ericsson was involved which leads on to my  next point…
  5. Be open and honest. Don’t dissemble. Keep your “customers” (or other stakeholders) in the loop. Let them know what you know as you know it. And also let them know what you don’t know. I know this sounds suspiciously Rumsfeldian but there’s no shame in the  early stages of a crisis not to have the complete picture. It’s the inevitable fog of war. There is shame, however, in holding back important information like the loss of sensitive customer data. You don’t want them to feel as if critical information has been dragged from you. 
  6. Actions speak louder than words. Words are all very well but they can sound rather hollow if they’re not backed up with action. O2 apologised almost immediately (see point 3) but very quickly followed that up with an offer of compensation. Now that doesn’t just sound like sorry if feels like sorry too.
  7. Be generous. Most of O2’s customers lost only a day’s data. But they were offered two days worth of credit as a gesture of goodwill. That’s likely cost the company millions of pounds more than if it only made up for the actual loss. Now, it may yet recover the cost from Ericsson so you could argue it’s being generous with somebody else’s money. But nonetheless this goodwill will almost certainly be worth every penny. And while we’re on the subject, offer compensation (it doesn’t have to be financial) before it’s demanded. 
  8. Get the tone right. It’s not just what you say but how you say it. Saying sorry through gritted teeth grates. So does telling people you’re being open an honest with them but with your arms folded firmly across your chest. Your verbal, para-verbal and non-verbal communication are pulling in different directions.  Have some humility. Don’t be overly apologetic (it can sound insincere). But don’t be flippant either. O2 made sure its communication – digital and analogue – struck the right tone, walking the fine line between light  (on social especially) and heavy. The outage was inconvenient for most, serious for some. But ultimately nobody died and the tone conveyed that.
  9. Don’t overpromise. It’d be crazy for O2 to tell us it won’t happen again. But the company made it clear it had learned from the situation conveying the more realistic and credible message that it’s less likely to happen again.
  10. Don’t under do the thanks. Thank your customers for their patience and understanding. Thank your staff for working hard to resolve the problem. Even thank your suppliers – even if they were to blame (see point 4)!
  11. Turn a negative into a PR positive. The episode will end up costing O2 and Ericsson millions. Giffgaff (one of the smaller providers affected) has made it easy for it’s customers to donate their compensation directly to charity. It won’t change the Giffgaff bill – its financial capital will decrease. But its social capital will increase. Smart move. Cost neutral. PR positive.

This post is also available as a podcast in ACM Training’s Five Minute Masterclass series. You can listen to the original there or below.

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If you’d like to join Richard at his next open, public, crisis communications workshop in either London or Manchester he’d love to see you. And as a follower of the ACM Training blog you can book your place for just £99 between now and December 31st – a Christmas saving of £80.

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Sorry seems to be the hardest word

Forgive the crass comparison but not since Neville Chamberlain shook hands with Adolf Hitler has a handshake (or rather a non-handshake) been so forensically dissected. Of course the rivalry between Liverpool and Manchester United in 2012 may not match that of Britain and Nazi Germany in 1938 but there doesn’t seem to be much prospect of “peace in our time” between Louis Suarez and Patrice Evra. And the tardy apology issued by the Uruguayan and his boss Kenny Dalglish has been about as passifying as the piece of paper the Prime Minister famously waved on his return from Godesberg.

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So what went wrong? The problem can’t have been quantitative – these days the public relations squad at major football clubs is almost as big as the playing squad. Perhaps, then, it was qualitative – poor advice. I suspect it was neither; that the guidance given was both abundant and accurate but simply ignored.

Players and managers paid £100k plus per week are unlikely to value the wisdom of those lucky to see half that much in a year. The solution? Either put PR staff on the same salary as footballers (owners like John Henry and the Glazer family please note) or make following professional advice a contractual obligation.

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Rule number one in crisis communications: apologise immediately.

Rule number two: make sure the images the public see convey the same, contrite message.

Liverpool and Suarez broke both.


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WHAT MAKES NEWS?

A well written news release can persuade the media to act as your de facto advertising agency and help you “sell” your “product.” The product can be something tangible that you want to market for strictly commercial reasons. Or it can be an intangible idea being marketed for social reasons. Trouble is, in both cases, most news release fail to get published or broadcast. And that means that an awful lot of creative juice is being spilled for nothing. So why do the majority fail? Most don’t work because they never quite overcome what I call the so what factor – that is they are of little or no interest to the newspaper-reading, radio-listening, television-viewing public or, in the case of specialist publications, of limited value to even the readers of the trade press. Some stumble because they are poorly written. Others trip up for seemingly arbitrary or trivial reasons like they were sent to the wrong person or on the wrong day.

This article was written as part of the course material for ACM Training’s writing press releases workshop. If you’d like to find out more about this workshop or the many others we offer in the fields of media, communication and organisational development then please click here.

To make sure that your news releases don’t fall at the first of these hurdles it’s worth exploring what makes news. And that means doing an almost forensic dissection of your target media – the media outlets you’re aiming to get your release into or on because that’s where your target audience are. Doesn’t matter if you’re pitching at mass circulation daily papers or magazines, your local papers or specialist trade publications. Read them from cover to cover. Get to know them inside outside out. The same applies if you’re targeting television or radio programmes except, of course, you’ll be watching or listening instead of reading. What sorts of stories do they cover? Draw up a list. It’s likely to be a fairly long one but I bet you people will be at the heart of most, if not all. That’s what we’re after – human interest stories (even if they’re about animals). 

Dog bites man, as the old saying goes, is not news. Happens all the time. Just ask your local postie. But man bites dog is news because it bucks the usual trend. So trend bucking is one news category. What are the others? Well, on the subject of trends you could add stories that conform to trends – those that serve to reinforce our world view. For example, most stories about global climate change fall into this category. I say most because those dissenting voices who say that climate change is natural rather than man made fall into the previous category. And before we leave trends behind there’s a news category dedicated to trend creation the most annoying of which are the stories in the style pages of Sunday supplements and glossy magazines which tell us gushingly that brown is the new black, or that the Boysenberry is going to the next must-have electronic gidget (that’s a cross between a gadget and a widget by the way and not a typo). Private Eye has a satirical column dedicated to these stories. It’s called the Neophiles. Despite this, it’s a rich vein worth tapping into if you possibly can and, who knows, you may get some additional, free publicity courtesy of the Eye if you pull it off.

Another vein you might exploit is nostalgia. Not news, of course, in the traditional sense because it’s the exact opposite – history. But local papers, especially, love stories about the way we were and publish old black and white photos by the column mile. If, for example, you’re a business trying to promote the opening of a new building, your local newspaper may ignore your news release because it’s deemed too commercial. But if you can find some old photographs of what was there before and engage a friendly local historian to say a few warm words then it may get picked up, even if only as a kind of before and after photo story. Better than nothing.

The Oxford Times recently carried a full page feature about a local company developing a jet engine which could cut the flight time from Britain to Australia to just a few hours. This is a classic example of the cutting edge category. It doesn’t have to be high tech engineering as in this case. It can be in medicine, construction, commerce…pretty much any field, including a grass one if it’s an agricultural story. 

The tabloids, in particular, are obsessed with the rich and (in)famous. So your news release might be able latch on to this. Charities especially, realise the importance of celebrity endorsement. They understand that if you keep the message the same but change the messenger it can make the difference between being ignored and being talked about. You don’t even need the celebrity’s permission to invoke their good name. For example, if you are trying to promote healthy packed lunches for school children and would like, but can’t afford, Jamie Oliver to launch your campaign, then I see nothing wrong with saying in the top line of your release: packed lunches in Anytown are getting a Jamie Oliver-style makeover. The celebrity doesn’t need to be a household name. If you can’t get anybody on the A-list don’t worry, there are another 25 letters in the alphabet. Okay, so Z-list celebs may not have universal appeal but even the Mayor or Mayoress of the smallest place ranks as something of a celeb in their local media. As a fellow Z -lister I know, having opened more than my fair share of summer fetes when I read the television news from Pebble Mill in the BBC’s Midlands region. The organisers of those events misguidedly assumed my mere presence would boost takings a thousand fold. It didn’t but what it did do was almost guarantee a pre-event announcement and/or a post-event snap in the local paper and, frequently, a mention on local radio too. Years later the transient nature of (very minor) celebrity was brought home to me in my local town, Ludlow. One of the area’s best loved but slightly eccentric characters came up to me in the street and said without a hint of irony: “You used to be that Richard Uridge on the telly didn’t you.”

The old saying there’s nothing new under the sun could be re-worked along the lines of there’s nothing new in the Sun. There’s very little genuine news around – that is, literally, something new or novel. So instead hundreds of acres of newsprint and thousands of hours of airtime are dedicated to stories that add to the debate on topical events or include expert opinion or speculation. The rolling news channels such as BBC News 24 and Sky News and stations like BBC Radio Five Live couldn’t function without these time-filling categories. They have an almost insatiable appetite for information to the extent that one of these days a broken toenail is going to get the breaking news treatment. Well maybe not quite, but if you’ve got an expert in your midst why not suggest them as a guest? Universities do. However, they and other organisations could do much more to help meet the demand.

You can even search religious texts like the Bible for clues as to what makes news. Papers are full of parables such as David and Goliath and the Good Samaritan. Here are some examples. Plucky pensioner (David) refuses to pay council tax to local authority (Goliath). “Metric martyr” grocer (David) takes on the crazy Brussels bureaucrats (Goliath) by refusing to sell his produce by kilogrammes. Defiant granny (Davina) bashes yob (Goliath) with handbag. Have-a-go hero (Good Samaritan) rescues kids from blazing house. Disgraced MP in expenses wrangle gets job as swineherd. Okay, I admit, I made up the last headline. Casting my mind back to Sunday School it’s the first part of the story of the Prodigal Son. That or wishful thinking. But you get my point. Can you reframe your story to give it a familiar feel?

Perhaps the single definition that underpins all of the others is impact on other people. Does your story impact on other people in any way? The bigger the impact and the greater the number of people affected the better. Step back from your story and try to look at it with objective eyes. Of course you are interested in it. But will enough other people feel the same way? The whole purpose of working out what makes news is that your news release must be newsworthy in someway. As we’ve seen, it’s a pretty broad definition that doesn’t have very much to do with news at all in many cases so there’s plenty of scope. But if you can’t picture your proposed story sitting comfortably within whatever programme or publication you are pitching it at, then you’ll probably be wasting your time writing it up. Save yourself the trouble. Concentrate on those news releases you feel have a better chance. Look at it this way – if your news release doesn’t tick at least one of the definition boxes then it may not work. Journalists are unlikely to risk breaking a tried and tested formula. We think we know what our audiences want and, rightly or wrongly, feed them this staple diet week in week out. To continue with the foodie metaphor for a moment, if you want us to change the menu then what you’re offering better be appetising because we don’t want our readers turning up their noses and going to another restaurant!

Got a category to suggest? Something that’s paid off for you and you’d like to share? Click here to email me and I’ll add it to the list.

Next time…structure and how the Pyramids of Egypt can help you write a successful news release.