Sharper-eyed viewers have spotted a rubber mask in the background of some of my online videos. So here I put him (it?) in the foreground, centre stage as it were and explain why he’s my mate. Spoiler alert. Watch to the very end. And please do not adjust your sets.
This is just one of a series of how to videos over on the Owl Service our YouTube channel.
Why am I winking? Because here’s a quick and easy way to make your presentations – online and face-to-face – more memorable. Not by being cheesy but by pausing for effect…
Just made an important point? Then count slowly to at least three in your head before continuing…
Make that a five second pause if you want to inject real drama. A veritable cliff hanger……
Really should have changed out of those running shorts before doing this episode of the Z to A of Presenting. But then I’d have to have paused for 20 seconds and that’s waaay too long.
Captions are really good at making your videos more accessible. And handy for people who want to follow what you’re saying without having the volume turned up (even if it’s just in case the boss is listening). But it’s really annoying when those captions aren’t in the right place. The audience want to see your mouth. And your eyes. So here’s a bit of fun advice about positioning those captions so they help rather than hinder the whole business of communication. Yes! It’s the latest episode in the Z to A of Presenting.
In this five minute video ACM Training’s communication coach, Richard Uridge, talks about striking the right tone in presentations – in particular in the current climate with all that is happening in Ukraine.
Using cheap tricks or stunts to grab an audience’s attention is the presentational equivalent of click bait. So here ACM Training’s communication coach, Richard Uridge, explains (with just a hint of festive irony) the difference between gimmicks and legitimate devices to hook people into your presentation. And, yes, you really won’t believe what he looks like today!
Every failure is an opportunity to learn and grow – even when you’re the British Prime Minister, Boris Johnson. And it’s to him that we dedicate this episode of the Z to A of Presenting: T is for Treasury Tag. Watch to find out how the PM could have saved himself a whole heap of grief in that lemon-chewingly embarrassing speech to the CBI with one of those little bits of string with a tiny metal bar at either end that are buried at the back of stationary cupboards everywhere. It could just save your next presentation from a #peppapig moment too!
PS Buy shares in treasury tags!
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The first volume in ACM Training’s Wise Owl how-to series is now available in the Apple Bookstore. As an e-book only (for the time being at least) the publication of Writing for the Web – why reading differently means writing differently is not quite up there with the excitement I felt as my first front page lead thundered off an old News of the World hot metal printing press back in my days as a cub newspaper reporter. But hey, that’s the post-Gutenbeg era for you eh?! At only £4.99 in the UK and a similar price in 50 other countries I reckon it’s brilliant value for money. But then I would say that… I’m the author. Judge for yourselves and please let me know if you agree. Or not.
We’re often asked how our Zoom and Teams meetings and training sessions here at ACM are funkier than most. So here’s the answer! Our chief geek (and media and communication coach) Richard Uridge runs through the kit we’ve put together to make our online courses visually stimulating.
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The first in the “Z to A of Presenting” (because why start at A when everyone does)? In this Halloween-themed episode Richard Uridge explains how a simple sticky can help you keep your audience engaged. Watch to the very end if you want the full, scary surprise.
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Original writing is just that. Something new. Something that’s never been written before. And, by extension, something that’s never been read before. That’s not to say it’s any good. Original writing can be crap.
So why on earth would we want to use copy and paste? If the writing we’re copying is, indeed, crap we’re just adding to the dung heap. And if it’s any good we’re, at the very least, guilty of being unoriginal.
Whilst they have their uses those two keyboard shortcuts stifle creativity. So use them sparingly. Or, as this article in the Guardian suggests, be more like the actor Tom Hanks and use a typewriter instead.
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